Victorian Crazy Quilt - The Flower Patch – Block 1

With the encouragement of my husband, Joe, I decided it was time to take my Victorian quilt out of storage and share it with all of you. I made this quilt back in 1996. It is created from my own imagination. There are 56 blocks in the total assembly of this masterpiece. It is one of my finest quilts that I have ever created. I enjoyed each and every minute I spent making this quilt. I will be sharing each block with you. I hope you don’t get bored.

The name for this block came to me as I was looking at this particular photo. The row of tiny flowers I embroidered using the lazy daisy stitch reminds me of a flower patch.  

The patience for such a project is something that can be good therapy, as well. Just one section of stitching has forty tiny glass pink seed beads added to the tops of each stitch. I wonder how many beads there are in this one block alone………..

You will see a combination of different stitches and threads used throughout this quilt. In many cases one stitch pattern is overlapping the other, giving it a layered look and adding more interest to the block.

When photographing the quilt I had run into a problem with the color fuchsia, just not coming out right. From the start to finish of the photography session of my quilt, this was the one color that gave me problems.

With this photo you can see where I used bugle beads in place of stitches.

It was fun to create my own little flowers and mix up the use of different colored threads at the same time. And of course the beads add so much to each little section of the block.



My Victorian Quilt

What is in the box you might ask – well it is 18 months of total daily commitment to a project that has received no exposure since it was completed.

This is my Victorian quilt that I had finished back in 1996. There are a total of 56 individual blocks, each one totally unique in its design. With the help of my husband we photographed the entire quilt, so we could share it with all of our friends out there.

I hope that you enjoy viewing this quilt in the upcoming months as much as I do when I look at it, as well.

Scrapbook Paper - Grape Harvest

This is a background that I am working on for a photo collage. Here is my step by step progress......

When Joe wasn't looking I took some more of his mat board left over from one of his framing projects. I thought I would make it an 8X10. I started with a sketch of grapes and vines.

I used “Crayola Twisters” to color in the leaves and grapes and accented them with my “Sharpie” brand makers. I then drafted a one inch grid on the diagonal, and then sketched in quilt lines.

I have found two kinds of gel pens that I like by "Jelly Roll" and "Glaze." They even come in glitter and metallic. I proceeded to cover the grapes in a deep purple and accented the vines and stems with gold.

I wanted to give it an antique look so I then layered the edges and quilt stitches with yellow ink by "Memories".

I had some harvest stamps by "Creative Imaginations" so I stamped in some text and also added some little leaves to the vines with brown ink.



Amish Pin Wheel

I have always been interested in the designs and colors of Amish quilts. A couple of years back I decided to adapt this style into a quilt that I was going to put together.

This particular quilt was featured on several catalog covers by “The American Quilters Society.” The first time it was on the cover of their 1988 Fall issue and then when they put together their Collection of Quilts 1860 – 1989, mine was also was one of the quilts that was placed on the front cover of that publication.

The colors were a combination of my own design and imagination. The blocks were pieced using the pinwheel pattern from 8 small triangles. The quilt was a standard bed size, machine pieced and hand quilted.

Although this photo was taken with a quilting hoop as a prop, I hand quilted this quilt in an old fashion quilt frame consisting of four boards, some clamps, and chairs.

Each triangle was quilted a quarter inch from the seam.

This quilt has a sweet little history. Not only did it make the cover of several publications, after about 5 years I received a letter from a lady who spent a night in a Bed and Breakfast in Vermont. She said she slept under this fabulous quilt, and she enjoyed the quilt so much, that she just had to write to me. When I sent the quilt to The American Quilter’s Society it was required to sew a sleeve on the back of the quilt with my name and address on. This was for photography and identification purposes. Apparently the sleeve was not removed by the buyer. What a thrill it was to know the location of my quilt, and also that it had a good home.

Applique Mixed Media Art Quilt

A couple of years ago I wanted to experiment with some fusible applique and Heat and Bond. It seemed like a great way to create something really new and interesting. I had purchased some roving wool, but had never worked with it before. It came in an assortment of six colors to a packet.

I used fabric from my stash that had quaint houses and flowers in the print. I fused a piece of Heat and Bond to the back of the fabric and started cutting out the cute little houses and buildings. I created a background out of landscaping fabrics and some really interesting tree fabric. The layout of the piece at this time of the project became a lot of hit and miss. I really did not have a clear idea as to how I wanted to project to look in the end, so I auditioned the fabrics in many different ways before they started to come together.

My husband is always interested in what I am doing. Here I am placing some of the flowers on to the background to create a layering effect.

When I originally started this project, I did not have any plans of sharing it with the quilting community. Unfortunately, I did not take a lot of photos during the creation process. I used the roving wool to create the sun and the sky. Once I had all my fabric arranged to create a scene of hills, a forest of trees, and my flower gardens and houses, I fused it all down to my background of muslin. I then covered the entire quilt with bridal tulle. I added batting to the back and pinned it in place.

My husband bought me a beautiful Juki sewing machine and a new table. I just love it. The machine is a real work horse with a good motor. It does a great job of free motion quilting. I took the pin basted quilt to the machine and added a lot of stitching throughout the sky and actually over the entire piece.

Once the machine thread painting was done I still needed to find a way to finish the piece. I used strips of black bias tape and gave it the appearance that you were looking out a window. I added a backing and binding and did a little more machine quilting. I wanted to have this as an actual piece of artwork, so I decided to put it into a solid black frame to keep with the window effect.

My daughter Barb really likes the color green, and since that is the primary color I used, I knew she would enjoy this project. She was really surprised when she opened her gift.

Here we are with the finished quilt. I called this art quilt, “The View Out My Window.”

The Golden Wedding Anniversary Quilt

My Aunt Mayme taught me to quilt when I was 13 years old. By the time I was 15, I was hooked. I did not have a sewing machine of my own back then. I learned how to operate my Mom’s old Necchi machine. The big talk of the summer was the upcoming Golden Wedding Anniversary of my Grandma Gert and Grandpa Nick. There was going to be a big party with music and dancing. How excited I was! I wanted to make them something special, so I decided on a quilt.

I chose an eight point star pattern. Now remember I was just entering my 2^nd year of quilting. I did not even think about the difficulty level of the project at hand. I saw a picture of this pattern and it only had one template. I thought this must be an easy pattern…..  Just one template! I had a small brown paper bag at the time that was filled with my fabric stash. This bag was like a treasure chest to me. I had never heard of the color wheel, and gave no thought to which colors went well with another. All I knew was that this quilt had to be beautiful.

I went thru the fabric bag and selected a few fabrics for each star block. I then cut several diamond templates from cardboard cereal boxes for my pattern. I started tracing my templates with a number 2 pencil and cutting the diamonds by hand. No rotary cutter for me back then. I put my little stacks of diamonds together in plastic baggies, so as not to mix them up. When I had all nine blocks cut out, I put them in a cardboard shoebox with a spool of white thread, a needle and a small scissors. This was my sewing kit for the project and I was so happy I could finally start to sew. The diamonds were very small, so I decided I had better sew them together by hand. I had seen Mayme do it a million times. How hard could it be??

I worked all summer on that quilt and when I finally had the stars assembled, I had to figure out how to put in the white corner squares and triangles. This part was more difficult than sewing the diamonds. When it came to adding the sashing and border I used the sewing machine, and then I really made progress. My Dad was overseeing the quilt project from the start. He kept telling me that I will never get it done in time for the big day. Once the top was done, I then stretched it into my large wooden floor frame and hand quilted it. The quilt was still in the frame the night before the party. My dad told me I would never get it done. I worked all night and even hand sewed the binding. By morning it was on the kitchen table, all wrapped up in shiny gold paper tied with a big bow. There is a sad part to this story. The big day flew by and by evening all the gifts were taken to the farm and I didn’t get to see them open their gift. I never saw my beautiful quilt again. I didn’t even take a picture of it when it was finished. When Grandma and Grandpa passed away, everything was divided between the children. One day while I was talking to my oldest daughter April, I brought up the quilt. Thirty-five years had gone by and I had no idea where the quilt was. The last time I had actually seen the quilt was that night so long ago when I wrapped it up for their party. I told April that of all the quilts I have given away over the years, this is one I would like to see again. Well, it didn’t take long for her to call the youngest aunt, Alice, and ask her about the quilt. We found out that the quilt was given to one of the aunts who had asked for it when Grandma passed away. April asked if she could see the quilt, and take some pictures. She didn’t tell me she had located the quilt. Imagine my surprise when she handed me a packet of pictures and there was my quilt. I cried, and was so touched that she had done such a wonderful thing for me. I pondered over those pictures and was amazed I could still identify all those wonderful fabrics I had so long ago. The quilt was still in perfect condition. I just thought I would share my quilt with you, and my little story. And remember to ALWAYS take pictures of everything you make!

Appliquéd Heart Quilt

Just a little memory out of the past. I created this hand appliquéd quilt and it was published in the Winter 1991 issue of Quilt Magazine. Although I have made hundreds of quilts, of which most of them I gave away this is one of those that I was always found of.

As I was submitting this to a magazine for publication, I had to take the quilt to a professional photographer. This was something totally new to me. I chose Roger and Becky Ottman, a couple that I would come to just love over the years. Learning how to stage props when photographing an item was a learning process that started with this quilt. When Roger said we should go outside and hang the quilt across the branch of the tree, I thought he was crazy. The photos came out just beautiful with the different backgrounds we used and the additional props we incorporated into the photos.   

 

This is a full size bed quilt.  When I made this quilt I was a stay at home mother of six very active small children, it was a miracle that I was even able to finish this project. The hearts were hand appliquéd on a cream colored block and then I alternated them with pieced blocks of the Ohio Star pattern. To make the quilt more feminine I added a generous double fold ruffle around the edge.  After I finished the quilt, I decided to submit some photos to Quilt Magazine. I did not know they were going to use it until one day I was in my favorite fabric store add I glanced at the magazines, and there it was on the cover. Wow, what a thrill.