In
doing a Victorian Quilt project as large as this I learned that you really do
have to keep your mind open as to all the possibilities for embellishing it. A
person has the advantage of using a variety of different fabrics, which allows
each block to become totally different from the rest. You have a pretty wide assortment
of embroidery threads to work with, and an endless selection of stitches to
employ into the project. The glass bead selection was always a challenge for me
while doing this quilt. As I progressed, I also started to incorporate small
novelty buttons where they would be appropriate. While I was making this quilt
I did not have access to the internet, or any special outlets to purchase
beads. Every trip to the fabric and craft stores was like a scavenger hunt for
more beads.
You
can see in this photo that the stitches and beads are never just thrown into
the quilt hap hazard. A very great deal of thought and planning went into the
embellishing of each seam of the quilt.
Although
it may seem that the quilt is heavily embroidered, there are areas such as this
one that are very lightly embellished.
The
visual intensity of this process of the quilt is just fascinating. I added the Mother
of Pearl button shaped like a moon to catch your eye, and then you are draw to
the creamy blue beads. These little blue beads are what inspired the name of
this block. They reminded me of Chinese lanterns. All this bead work keeps the
eyes roaming and the attention of the viewer very enchanted, and always looking
for more.
I liked the blue beads so much, that
when I found them in gold I just had to add a row of those also.
Here is a close up of my Chinese
lanterns. Lovely!
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